Kava Revival Since 2002

A kava study by Dr Joerg Gruenwald titled “In-Depth Investigation into EU Market Restrictions on Kava Products” was commissioned by the Centre for the Development of Enterprise (CDE), a facility of the European Union based in Brussels, at the request of the Pacific Islands Forum Secretariat in July 2002.

three_samoan_women_preparing_to_make_kava2c_ca-_1890

Restrictions on kava were imposed by health agencies overseas after reports that some consumers suffered negative reactions, including a number of fatal cases that were blamed on processed kava by-products such as leaves and stems.

Kava exports from countries such as Fiji, Samoa, Tonga and Vanuatu collapsed, costing the countries millions of dollars in export revenue. The exporters have since tried to make a distinction between the use of kava in its natural form (as practised in the Pacific Islands) and the synthesised compounds and kava by-products offered by the pharmaceutical industry. Such products as kava tea bags have found large markets throughout Europe and the USA.

“Pacific Island communities have safely used kava for hundreds of years in its natural form,” said the Secretary General of the Pacific Islands Forum Secretariat, Mr Noel Levi.

“The study reinforces our faith in kava as a social and ceremonial drink that is a major economic item in our region,” he said.

The study has suggested that a Kava Committee be established to try and regain the market authorisation for kava products, which have been processed by pharmaceutical companies into a range of prescription drugs and herbal remedies.

The proposed Kava Committee would comprise key stakeholders in the Pacific Islands and Europe who would try to restore the image of kava in overseas markets. A meeting of stakeholders is being planned for mid July with the assistance of ProInvest – an arm of CDE based in Brussels that promotes investment and technology flows to private enterprises in the ACP States.

The meeting tried to draw up strategies and timelines to address the negative publicity that has affected the exports of kava.

Since those days kava has been on the up and up. Many countries that firstly imposed a ban or sanctions on the plant have since rescinded. The studies that pointed towards hepatoxicity have all but been refuted and the kava market has grown again.

While still facing a tough environment in which to thrive, many of the former kava producing nations have successfully implemented strong export strategies and their economies have improved in terms of this agricultural component.

 

Interior Design Software Comes Of Age

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On the simplest level, one can actually run a CAD program on a TARGA board. Both Autodesk Homestyler and Versacad (Huntington Beach, CA) have written basic drivers for the TARGA, but Autodesk’s Sergneri and Versacad’s Scott Harlin stress that this is mostly a matter of providing their users with broad support (AutoCAD supports some 200 graphics adapters; Versacad more than 130). And the difficulty for the artist in this scheme is that a CAD drawing saved in TARGA format is simply static, flat raster data–the artist can render that particular scene very nicely but cannot take advantage of the CAD file’s 3D information to add perspective, rotate the image, or move into the model.

Living Room Design

Artistic Environment

What’s needed is a means of bringing the full engineering model into the artistic environment, and a widely used program called CADVerter provides just that. Developed by Mathematica Inc. (Lakeland, FL) and now marketed by AT&T’s Graphics Software Labs (Indianapolis), CADVerter translates the widely supported .DXF CAD file format into a full-featured model than can be imported into a high-end TARGA- and ATVista-based rendering and animation package like GSL’s TOPAS or Crystal 3D from Time Arts (Santa Rosa, CA). Because the .DXF format is supported by virtually all PC-based CAD software, CADVerter is effective in spanning the two very different worlds. As Mathematica marketing manager Allen Downard puts it, “CADVerter bridges the gap so that something that’s dimensionally accurate can also look good.”

Bill Bottorff, a systems integrator who runs Austin Business Computers (Austin, TX), says that the conversion process is not as intimidating as many users first think. “With practically no effort at all, you can render an AutoCAD drawing in a TARGA environment,” Bottorff asserts. “Once users have done it a couple of times, they find that it’s trivial. The TARGA file format is what makes the images so easy to work with.”

This approach can provide stunning results. In the February issue of Computer Graphics World, for instance, Angela Torres Pate describes how Micron/Green, her Gainesville, Florida, building design service bureau, used CADVerter to bring a rough AutoShade rendering into Crystal 3D. Running a TARGA 32 on a ‘386-based AT compatible, Pate’s firm was able to selectively bring various layers of the AutoShade rendering into Crystal 3D. CADVerter will import only one layer of a .DXF file at a time, and while this may at first glance seem to be a disadvantage, it actually can provide the skilled operator with a helpful means of controlling file size and content.

Micron/Green’s finished rendering taps the power of Crystal 3D and the TARGA to achieve a degree of realism that was impossible in AutoShade. From the mullions in a large glass atrium to the stripes on the asphalt parking lot, details are rendered with striking realism. Glass shows an appropriate transparency (an effect made possible by the extra 8-bit channel on the TARGA 32), and aliminum panels appear to reflect light in a way that makes the image seem photographic. To enhance the effect, Pate created polygons behind the building, onto which she mapped captured video images of a sky filled with fluffy white clouds. All in all, it’s a rendering that would excite the most doubting client.

Architectural Design Online

Both Crystal 3D and GSL’s TOPAS can go even further. By tapping their animation capabilities, an artist can actually create a video that takes the client or customer on a tour, or “fly-through,” of the building. With details like office furniture put into place and realistic textures such as glass, metal, brick, and fabric dressing up surfaces, this sort of animated rendering is the closest you can get to a real building when all that actually exists is a set of plans.

Creating an animated fly-through of an architectural project may be just the ticket for a big-budget project, but a much more common use of the video capabilities provided by bringing a CAD file into the Truevision environment is simply to develop a presentation image that shows the fully rendered building in a video image of its intended site (or a proposed consumer product in a video image of its intended setting, for that matter. While many renderers will want to capture actual video imagery of the specific target site, they don’t have to capture images of office furniture and standard fixtures if they have a program like Archpaint, from Archsoft Corp. (Mill Valley, CA).

Video Clip Art Libraries

Archpaint is a library of TARGA-format video images on transparent black backgrounds. If the artist wants to fill the rendering of a restaurant with realistic fictures, for instance, he or she can use CADVerter to bring the CAD design of the room into the Truevision environment, use a program like TOPAS to map appropriate textures on surfaces and provide lighting effects, and then cut and paste tables and chairs, counters and sinks, kitchen appliances, and the like from the Archpaint library. As Rik Jadrnicek, director of R&D for Archsoft, puts it, “Real-world images add reality to what is otherwise a rather plain rendering.” Jadrnicek notes that the relatively low resolution of video “is a natural for architects because their renderings don’t have to be magazine quality, and besides, people are used to looking at TV.”

A similar approach is used by Eclat Inc. (San Leandro, CA), which offers a CD-ROM-based catalog of video images showing actual office furniture from various manufacturers. Designed to work on a TARGA platform with Versacad designs, Eclat’s system allows office managers to try out different models and configurations of furniture in a realistic rendering of the office space. Thanks to the dimensional accuracy of the Versacad design and the realism of the TARGA display, the interior designer can accurately represent the appearances of a wide array of available alternatives.

Getting Creative With Interior Space

In cases where the final rendering doesn’t need to be based on an actual CAD model, the designer can work entirely within the Truevision environment. For instance, Lumen-Micro, a package from Lighting Technologies Inc. (Boulder, CO), is aimed specifically at the task of selecting lighting for interior spaces. The designer keys in dimensional information that creates a basic rendering of the room and then tries out various lighting plans. Lumen-Micro draws on its own photometric database to automatically model the lighting effects you’ll get from different sources placed in different ways. “The thing that’s particularly appealing about the TARGA 16 board,” says Thomas Swanson, director of operations of Lighting Technologies, “is that you can get 32,000 colors. This allows for the very fine shadings that are needed to model subtle lighting effects.” Swanson notes that the company is working on an upgrade that will interface directly with AutoCAD Release 10, providing greater flexibility and accuracy in the basic model of the space to be lit.

Another modeling package that works entirely within the Truevision environment is Pro3D Photo Finish, to be released this month by Enabling Technologies (Chicago) for both TARGA-based PCs and NuVista-equipped Macintosh IIs. Melissa Taylor, vice president of operations at Enabling Technologies, explains that the product is aimed at industrial designers who work in the area where functional aspects of a design are wedded to aesthetic considerations. “Our products are designed for artists, not engineers,” says Taylor.

Several considerations led Enabling Technologies to design Pro3D Photo Finish for the TARGA and NuVista boards, according to Taylor. “For the most part, the customers who use our software already have targas,” she notes. “Also, we can’t get the type of renders we need from any other PC product.” The company “has really stressed file export,” says Taylor, which gives Pro3D users access to the wealth of artistic software tools that run on Truvision hardware.

Workstation Power on PCs

As all of this activity illustrates, the CAD engineer or architect can no longer dwell exclusively in a world of dimensions, vectors, and wireframes. As CAD becomes common the advantage goes to the designer who can portray the finished product accurately and artistically. On workstation-based CAD systems, styling and rendering tools are more and more often built into a complete software system. But PC- or Macintosh-based designers are finding that they can get the same sophisticated rendering techniques by taking their CAD creations into the strikingly real, visual world of videographics.

Street Style Office Design

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It was a meeting of minds that spanned two decades and spawned a plethora of innovative design ideas.

Interior Design Lasalle

From that collaboration emerged the concept of a street that would provide the necessary conduit for communication among the firm’s 15 divisions. “A street happened to work best for this particular space. If the building’s floor plate were a square, we may well have come up with something else,” said Hammer, who served on the project’s design team.

Interior Design Layout

In its final rendering, a central east-west avenue — “18 1/2 Street” — spans the entire length of both floors. Lining one side of a given street are all major resource groups, including graphics, specifications and visual aid departments, as well as a library, conference rooms and a reception area. Flanking an avenue’s opposing side are clusters of open-plan workstations with managerial offices interspersed among them. The clusters are organized according to department or, in some cases, to a specific project with which the firm is involved.

In total, the clustered areas embrace a studio concept, striking a balance between privacy, flexibility and, above all, open lines of communication. While managerial offices are enclosed by virtue of dropped acoustical ceilings and 7-ft.-high walls, adjacent clusters are defined by 60-in. movable partitions.

“The enclosed offices address a number of considerations,” said project designer Zupancich. “They break up the space and give it a sense of scale. Without them, it would have been like looking down a football field. We also wanted to have the managers near their departments. And since we wanted to maintain the openness of the space by using the original full-height ceilings wherever possible, the dropped ceilings provided us with an area to hide ductwork, telephone lines and other wiring.”

On sides closest to the studios, street corridors are enclosed with partitions 5 1/2 feet high. Tall enough to afford a comfortable level of privacy in adjacent areas, the walls are also unobtrusive enough to draw workers onto the street. “People are encouraged to come out and talk with one another while working. Because all resource services are accessed along the street, people invariably run into one another,” Hammer said.

Critiques on the streets

To further encourage use of the streets, their walls are covered with homosote, a thick paper-based material that allows departments to tack up boards and conduct critiques of their work there. “Acoustically, the interaction on the street doesn’t pose a problem in adjacent areas,” Zupancich said. “Due to the height of the ceiling, sound rises and disperses, rather than reflecting directly back. And since we were using the original full-height ceilings instead of acoustical tiles, we carpeted the floors to provide one soft, nonreflective surface. But to be honest, acoustics weren’t a major consideration along the street area. Sound is important to us.”

However, the noise levels generated by some resource groups — coupled with the need for quiet in conference rooms and libraries — dictated a more enclosed plan for support areas located off the street. “The partitions lining that side of the street are 7 feet tall and tend to be more enclosed than the studio areas. But each of those support areas still opens directly onto the street,” Zupancich said.

Modest budget

Adapting the two floors to HLW’s needs was accomplished at a surprisingly modest budget of $50/square foot, no small feat considering that the two floors were marked by 50 years of disrepair. “The two floors were a mess,” Hammer recalled. “The space essentially had been used as a warehouse.”

In some cases, HLW was able to save money by using inexpensive, yet durable finishes. “We used gypsum board extensively for walls, ceilings and partitions. While inexpensive, gypsum also provides a flat, attractive surface that easily accepts paint and other finishes,” said Norberte Misthopoulos, an HLW project manager assigned to the renovation. Besides coordinating the efforts of various departments involved in the project, it was Misthopoulos’ job to ensure that the budget was maintained.

Misthopoulous noted that HLW was able to reuse many of its former office’s workstations and adjoining partitions. And as luck would have it, no structural modifications were required of the firm’s space. “Structurally, the building was in good shape,” Hammer said. “Being a former department store, its loadbearing capacity was adequate for our needs.”

Vestiges of the building’s original Beaux Arts design, cast-iron corinthian columns emerged as a major design element throughout the space. Painted white, the columns flank the entrances of conference rooms and reception areas.

However, little else proved salvageable on the two floors. Under the direction of New York City-based general contractor Rampart Construction Associates Inc., perimeter walls were torn down and replaced with gypsum board, which was then painted. Where in need of repair, plaster ceilings were patched or, in some cases, recovered in gypsum. Wood floors deemed too expensive to restore were patched and carpeted.

Primarily due to high window heights on the sixth level, 3-ft.-high raised concrete floor panels were installed throughout the space and then carpeted. As the firm employs a networked CADD computer system, the space beneath the raised floors runs networking cable between the mainframe computer and the engineering department’s individual CADD stations.

“We have 36 active terminals scattered over the two floors,” said Alan Kaplan, HLW’s director of engineering services. “On the fifth floor, the architecture department’s cabling is carried through the partitions lining the street.” This extensive wiring network provides the flexibility of placing a CADD system at any workstation on either floor.

In part to avoid glare on computer screens, HLW designed a system of indirect task and ambient lighting throughout many work areas. “Light fixtures are located on top of the street partitions, as well as on top of another spine wall running parallel through the clustered areas,” Zupancich said. “The fixtures shoot light up to the ceilings, where it bounces down into the work areas. Besides providing a softer light, it again allowed us to maintain the original ceiling heights. For that same reason, we hung a system of track lights in the managing partners’ enclosed offices along the building’s westernmost perimeter.”

Three independent electric power risers were brought up through the building to serve lighting power receptacles, the mainframe computer and the CADD system’s network of terminals.

HLW’s offices also required a new mechanical system. Included in the system are nine air-cooled, 20-ton direct expansion air conditioning units. Located in nine separate rooms along the floors’ southern perimeter, each unit serves a distinct zone on a given floor. “Depending on the time of day or the nature of a given task, some zones may require cooling while others don’t,” Kaplan said. During tax season, some employees may be working until 3:00 a.m. By activating an individually controlled timer switch, an employee can cool his work zone independently of others.”

The system features energy-saving economizer cycles as well. When outdoor temperatures are sufficiently cool, each unit is capable of drawing in outside air, rather than using refrigeration, to cool a given zone. “In cooler seasons we’re essentially providing free outdoor air for those areas that require it,” Kaplan observed.

To serve the firm’s heating needs, existing steam radiatiors were replaced with fin and tube convector units that also utilize the building’s steam heat, according to Kaplan. Additionally, the air conditioning units contain electric heating coils to provide after-hour or supplemental heating.

HLW’s office renovation proceeded over a period of only five months. And according to Misthopoulos, much of its expediency can be attributed to the firm’s own CAD system. “At one point,” she recalled, “we must have had almost everyone using the CAD stations. They were an enormous help.”

Hammer noted that establishing new headquarters also provided HLW with an opportunity to make a new statement about itself. “Clients often look to see how a firm treats its own space,” he said. In HLW’s case, its CAD stations undoubtedly are busier than ever.

Library Interiors – Furnishing The Future

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Furnishing The Future

What is the current state of the library furniture industry? First, the good news: The number of manufacturers doing business in the US. has increased. Eighteen or so, to my knowledge, are currently active, and some of them are interested in solving today’s problems. Some have even expanded their design vocabulary and finish selections options.

Library Design - Congress

Functional Interior Design

What is available in standard lines? Worden, the leader in introducing designs that reflect changes in library technology, was the first to offer wire management solutions for desks and carrels. The firm’s awareness of safety and electrical-code requirements appears to be the best in the industry. The Addenda series of panel-end tables and carrels, though expensive, first introduced real eased edges and transitional detailing in a high-quality product. For an upcharge, Worden is willing and able to do specials in design and in finishes. The Diametron contemporary series offers wire management, many finishes, and task righting in round-legged tables and carrels.

Interior Design Management

Worden’s management is very design oriented now, and, in addition to library furnishings, Worden produces a fine of seating for offices. Be aware, though, that guest chairs in offices rarely offer the posture appropriate for use as a reading chair. It is my opinion that the seats on both the handsome H.E.L. and Academy chairs are pitched too far back to offer enough support in a reading position.

At ALA Midwinter, Library Bureau introduced its new fine of wire-management accessories to be specified in new furnishings. Whereas Worden does not offer wire management items separate from its furniture, the Library Bureau rep indicated that LB products are available for retrofitting existing furniture, and, supposedly for non-Library Bureau pieces.

Gaylord and Brodart now offer “custom design” within their Classics and Spectrum series, meaning you can purchase items to fit your library’s requirements in one coordinated design vernacular.

Gaylord’s Classic/Custom series detail features a mitered, bull-nosed edge with a brass reveal on both panel ends and work surfaces. The furniture may be constructed of maple, mahogany, walnut, or oak and finished to your specifications. Brodart’s Spectrum series features eased, radiused edges on panel ends. Both series have apron-free reading tables.

Gaylord’s Informa Group, constructed of oak veneer on Finnish plywood, is their first effort to manage wires on service desks and at carrels and to provide solutions to many library needs in a single style. Modular pedestals in the circulation desk and 41- and 28-inch-high surfaces are available. Only the square and round reading tables are available without aprons, presently; but the series is in the process of being redesigned, and perhaps eliminating aprons as will as the intermediate barriers on the circulation desk work surface will be one of the refinements.

At Midwinter, Gaylord introduced an economical landscape-type panel system for technical workstations and for patron carrels. The system comes in a wide variety of widths and heights, includes adjustable work surfaces and shelves, and has a reasonable NRC rating. Gaylord’s new commitment to the library furniture industry includes a specifier’s catalog, which will have complete information regarding the entire line.

When it comes to marketing solutions, Demco leads the way. Displays for video cassettes, audio cassettes, compact discs, and paperbacks are all available in popular finishes in the new catalog. The popular wood-framed revolving rack can be ordered to house all the above items, with a different media type in each segment.

Demco’s standing floor display for periodicals is the best space-efficient solution on the market.

Enter the Europeans! Highsmith’s “Scania” collection has been expanded to include chairs, tables, children’s furniture, shelving, and a cleverly engineered modular service desk with wire management. Veneered beechwood over particleboard in natural or rosewood finish, oak stains on ash, walnut stains, or walnut or custom matched samples are available on all products. Stack righting is available in a wide range of colors for attachment to each section of Scania and other brands of shelving. Work surfaces are off-white linoleum or plastic laminate.

Similarly designed, but the most extensive line of library furniture currently available, is that from the Danish Library Design Bureau. Engineered to last, this system runs from soup to nuts, and is nearly a one-stop source. And the firm seeks turnkey installations.

Most of the components are hung off metal shelving standards. The Danes seem to have thought of everything while using the maximum amount of cubic area available. The components are rugged; the flexibility built-in. Their focus is on function and product development-and they remembered children older than five! As the lean look of European design becomes more acceptable in the States, DLDB’s Texas offices promise to be busy fulfilling orders.